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Etiuda na... Komponuj z PWM

Étude for… is an educational music application which introduces the audience into the world of the 1950s Experimental Studio of Polish Radio, where Polish “music for tape” once originated

Étude for… is an educational music application which introduces the audience into the world of the 1950s Experimental Studio of Polish Radio, where Polish “music for tape” once originated

Etiuda na... Komponuj z PWM

by POLSKIE WYDAWNICTWO MUZYCZNE
Etiuda na... Komponuj z PWM
Etiuda na... Komponuj z PWM
Etiuda na... Komponuj z PWM

What is it about?

Étude for… is an educational music application which introduces the audience into the world of the 1950s Experimental Studio of Polish Radio, where Polish “music for tape” once originated. The first piece composed there using this pioneering technique was Étude concrète (Study for One Cymbal Stroke) by Włodzimierz Kotoński. The composer first recorded the sound of striking a Turkish cymbal with a percussion mallet. The recording was then multiplied and transformed in various ways, until a short music piece was created. The studio techniques that artists had at their disposal at that time were purely analogue: cutting and pasting of tape sections, playing the tape back at slower or faster tempi, playing it backwards, etc. We will attempt to compose our own Étude for…in a similar manner – first record a sound and then transform it, as at the Experimental Studio, putting together bits and pieces of our “tape” into one whole. But what sound can we record? Atishoo! The Study for One Sneeze still waits to be composed!

Etiuda na... Komponuj z PWM

App Details

Version
1.0
Rating
(1)
Size
85Mb
Genre
Music Education
Last updated
November 21, 2019
Release date
November 21, 2019
More info

App Screenshots

Etiuda na... Komponuj z PWM screenshot-0
Etiuda na... Komponuj z PWM screenshot-1
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Etiuda na... Komponuj z PWM screenshot-6

App Store Description

Étude for… is an educational music application which introduces the audience into the world of the 1950s Experimental Studio of Polish Radio, where Polish “music for tape” once originated. The first piece composed there using this pioneering technique was Étude concrète (Study for One Cymbal Stroke) by Włodzimierz Kotoński. The composer first recorded the sound of striking a Turkish cymbal with a percussion mallet. The recording was then multiplied and transformed in various ways, until a short music piece was created. The studio techniques that artists had at their disposal at that time were purely analogue: cutting and pasting of tape sections, playing the tape back at slower or faster tempi, playing it backwards, etc. We will attempt to compose our own Étude for…in a similar manner – first record a sound and then transform it, as at the Experimental Studio, putting together bits and pieces of our “tape” into one whole. But what sound can we record? Atishoo! The Study for One Sneeze still waits to be composed!

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