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Enjoy Making Music with These Awesome Apps

Enjoy Making Music with These Awesome Apps

Even if you're not a virtuoso musician, these apps will help you create sounds and songs right on your iPad or iPhone.

Music Recording and Composition for Everyone

Whether your a Novice or a Pro, GarageBand is an easy to use app that can provide the music recording and editing tools you need to express your creativity on iPad and iPhone.

GarageBand

Make some music or talk shows with GarageBand

GarageBand

Get instrumental

For anyone who wants to make some creative audio on-the-go

Apple's GarageBand is a great solution for anyone who is looking to make some music or even create their own podcast. GarageBand lets users record in audio from multiple sources, apply audio effects when necessary like loops, and much more. Even if you don't have any musical talent, GarageBand has tools that sound like the real thing and the app is smart enough to play them like a person when you need some filler. No matter who you are, it's easy to make some music with GarageBand.

Why we love it

GarageBand is easy to use and rather intuitive considering all of the tools that it offers. It is a great way to record audio on-the-go, so it's like having a portable recording studio.

Making Electronic Music

Make soundscapes with these fun, easy to use music creation apps.

Guitar Effects

If you're creating music on your iPhone or iPad, sometimes you just gotta make your guitar scream. These effects apps act just like the real deal.

AmpliTube

Find the perfect sound without spending a fortune

AmpliTube

If you want to create the perfect guitar sound, you'll need an array of stompboxes, an amp, a speaker cabinet, and a guitar. Why not skip everything but the guitar and get a whole bunch of the rest right from your iPhone or iPad? AmpliTube lets you build your own guitar or bass rig with up to 6 stompbox effects, an amp and speaker cabinet w/microphone options, and you can even drag and drop your stomps to sit before or after your amplifier, with 4 slots pre and 2 slots post. What more do you need?

AmpliTube Slash

Make your axe sound like GnR guitarist, Slash

AmpliTube Slash

AmpliTube Slash

When you need your guitar to sound like Guns n Roses' eccentric lead player, Slash, you could go buy the same pedals he's got, and the same amp and the same guitar. OR you can grab this great app from IK Multimedia, plug your axe into your iPad or iPhone, and just let it rip. You can build an entire rig with 6 stompbox effects, an amplifier head and cabinet modelers, and even a single-track recorder. What are you waiting for? Go shred!

Piano

Tickling the ivories is the concept here; these apps will have you playing the piano in a jiffy.

KORG Module Pro

High-Quality Piano

KORG Module Pro

For Studio and Live Performance

KORG Module comes with five sound modules - instrument categories : Electric Piano, Clav, Organ and Multi. Expansion sound libraries are available as in-app purchases. Great piano app for performing live or in the studio. You can connect your iOS compatible MIDI keyboard, adjust the Velocity Curve so that the pressure you apply on the keys captures the dynamics of your playing style and performance. Inter-App Audio compatibility allows to connect to other music production apps you own for further processing. You can take notes and view music scores and share your ideas on Soundcloud. If you own the music production app KORG Gadget you can choose from 5 separate instruments from KORG Module to work in a project. There's a free KORG Module Le app if you would like to try the app.

Why we love it

For the realistic piano sounds, great, easy to navigate App design, Full- range keyboard and the vast amount of Piano Instruments to choose from.

Synthesizers

When you need to create and/or play high-quality synthesizer sounds, these apps will get you exactly what you need.

Cyclop for iPad
Cyclop for iPad

Cyclop for iPad

Sugar Bytes GmbH

Cyclop now available on the iPad – ready to unleash monstrous bass sounds to the mobile world.

Cyclop is a monophonic synthesizer. It does one thing very well: delivering cutting-edge digital madness at the low end of the frequency spectrum.

Cyclop is the master of subs, beautifully controlling even the lowest notes, always sounding stomach-rumblingly thick. It uses mid/side processing to introduce stereo imaging between 250Hz and 4kHz. This ensures wide, interesting sounds that retain their punch and bass. There are no phasing issues, which means Cyclop cuts through the mix very nicely.

Enjoy an incredible depth of sound design possibilities, great real-time control with the Wobble Knob and FX knob. Integrated effects sequencer, vast modulation system and the preset browser will take your inspiration to new levels.

FEATURES AT A GLANCE:
• Audio Unit v3 & Standalone
• Monophonic Bass Synthesizer
• 6x2 Synthesiser Engines, 10x2 Filter Engines
• Analog Sync, FM, Sample Transformer, Spectromat, Saw Regiment, Phase Stressor
• Vowel Filter Mode
• Free Signal Flow for 2 Oscillators, Filters and Distortions.
• Incredibly versatile modulation system
• Multi FX Knob/Sequencer
• Powerful Preset Browser with tagging and rating
• Preset iCloud Sync
• Full MIDI Support (Virtual, Network, External)
• Transformer import: Audiocopy, Audioshare, Music Library
• Ableton Link

DJ Mag: “It is decidedly digital-sounding, but not in a bad way, and as the growing list of fans proves, it can be turned to good use in just about any electronic genre, past, present and (probably) future.”
Rating: 9.5/10

Producer Spot: “Very good for his complexity, very versatile and easy to use if you need sub bass sound for your productions. Sugar Bytes offers High quality and good prices with all their products.”
Rating: 9.5/10

Computer Music: “Anyone will find it powerful and unique-sounding, adding spice to existing tracks and inspiring new ones.”
Rating: 4.5/5.0

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iVCS3
iVCS3

iVCS3

apeSoft

iVCS3
Official EMS VCS3 emulator

The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.
The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.

Description

The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
Keyboards controller

DK1 keyboard controller

Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.

(See: en.wikipedia.org/wiki/VCS3)

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Stria
Stria

Stria

apeSoft

Stria is rated as a Killer App by Apps4iDevices.
Multilevel Interactive Sound Synthesizer
Idea and Csound-Orchestra by Eugenio Giordani
“Stria” is the title of a very important composition by John Chowning and I would like to say that this computer music piece represents the manifest of Frequency Modulation technique applied to audio synthesis, invented by Mr. Chowning himself.

+ Audiobus and Inter-App Audio support
+ Up to 240 Frequency Modulation Oscillators or simple Wavetable Additive
+ Five Spectral Pitch Grid Generators (Geometric, Harmonic, Fibonacci, Scalar, Temperated)
+ MIDI Pad With Scale Grid
+ Effects chain: Doppler, Chopper, Glitch Gen, Sync Grain, Spectral Arpeggiator, FDN Reverb, Dynamic Compressor/Expander
+ Snapshots Presets Morphing Pad
+ Control Manager LFO for Parameters
+ Midibus, Virtual Midi and Network: 14 bit NRPN controllers
+ Capture Master Audio Output
+ File Manager, sharing common audio files via iTunes, Dropbox and AudioCopy
+ Post Fx Chain: Doppler, Chopper, Out Of Range, Sync Granulator, Spectral Arpeggiator, Reverb FDN, Dynamisc Processor
+ Bluetooth A2DP High Quality
+ etc...

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Synthecaster
Synthecaster

Synthecaster

Daniel Resnick

Synthecaster fuses elements from guitars and keyboards into a full range polyphonic instrument that is intuitive, accommodates a wide variety of playing styles, and generates an even wider variety of sounds. The instrument allows for technical playing styles such as shredding and complex chord formation and can be used as a MIDI controller. Now with Motion Modulation, Synthecaster is more expressive than ever.

- Keys are arranged in string-like rows (tuned in perfect fourths by default)
- Sliding across keys in a row results in legato sliding or portamento gliding from note to note
- Sliding a key up or down will bend its pitch in the same direction
- Several notes can be played on the same row simultaneously
- Simultaneously play up to 10 notes on iPad Pro, 7 notes on iPad, or 5 notes on iPhone
- The entire keyboard spans over 6 octaves (not including the range added by oscillator tuning)
- Tune each row individually
- Highlight or show only the notes from any scale

How Motion Modulation works:
- Any slider-based synth parameter with blue or green text can be tapped to view its motion settings
- The parameter can be modulated by the device's roll (tilting vertically clockwise or counterclockwise) or pitch (tilting upward or downward)
- The position of the parameter's slider is the base setting for the parameter
- Tilting the device modulates the value either from its base setting to its minimum or maximum setting depending on the tilt, the modulation amount, and the modulation direction.

Synthecaster's audio is generated by a powerful and highly configurable polyphonic synth engine:
- Dual oscillators with individual tuning
- Filter with envelope sweeping
- Amplifier ADSR envelope
- Soft clip, hard clip, bitcrush, and downsampling distortion
- LFO assignable to amplitude, filter cutoff, or oscillator tuning
- Stereo flanger, chorus, and delay effects
- Over 55 preloaded synth presets including 7 motion presets
- Create custom presets and share them using AirDrop or Mail
- High quality stereo audio output
- Inter-App Audio support
- Audiobus compatibility with state saving

Synthecaster is Core MIDI compatible as a MIDI controller. In Multi Channel mode, MIDI messages are output in OMNI mode, where each MIDI channel represents a synth voice (channels 1-7 on the iPad, 1-5 on the iPhone). To best replicate Synthecaster’s polyphonic expressiveness, try setting a separate instrument voice for each channel.
The following MIDI messages are supported:
- Note on/off events, by touching and releasing keys
- Pitch wheel change, by sliding a key up or down
- Polyphonic legato ties by sliding across keys. Compatible with a variety of apps including Animoog and ThumbJam.
- Legato pedal on/off for legato ties, by sliding across keys

For best results, play through speakers or headphones.

Note: Not recommended for iPhone 4 due to performance issues.

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Drum machines

Why hire a drummer when you can just plug in your iPad? These apps will get you tapping your toes and shaking your groove thing in no time.